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I dobro nam je išlo, jako dobro! In both performances, Lana Hosni explores polymorphic sensory qualities of a dance body boldly and delicately.

  • Nevertheless, communication and more dynamic and frequent dialogue with international spectators and readers by means of bilingual issue seems to us as necessity in order to strengthen visibility and readability of the most propulsive realizations of the Croatian dance practice and theory.

  • There is something unusual in organization of sizes — the carpet is too big in relation to the door, the number of spectators is too small for the number of performers.