Tanja Ostojić decided to frame her project around the lives of women who share her first and last name.
Srce puca, jer se skupilo toliko i ljubavi i bola, uspomena, radosti, sreće, tuge i sve je duboko urezano kao porodična priča, jer moj Partizan nikada drugačije nisam shvatao sem kao porodicu, kao drugu kuću.
Drawing on archival materials, postcolonial theory, and Eastern European socialist studies, Nonaligned Modernism chronicles the emergence of late modernist artistic practices in Yugoslavia from the end of the Second World War to the mid-1980s.
Quite often, people use short versions of their name i.
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